The Making of Modern Art
14th October 2020Adam Brown
A selection of essays on modern art brought out by Yale University Press earlier this year.
In his review for The London Magazine, Andrew Lambirth said: “Peppiatt is always worth reading and there isn’t a dud in this stimulating collection.”
Full review:
“The Making of Modern Art by Michael Peppiatt is a collection of previously published pieces (the author calls it a ‘scrapbook’) ranging from the 1960s to date. It demonstrates once again Peppiatt’s gifts of lively récit, vivid description and jargon-free assessment, which he has spent a lifetime honing and fruitfully applying to art and artists. Here we have a number of the big names of Modern Art, such as Cézanne, Picasso, Matisse, Giacometti, Bacon and Jackson Pollock, but also a good admixture of the lesser-celebrated. Among these I would mention Vieira da Silva, Zoran Mušič and Nicolas de Staël – all of whom are not nearly well-known enough in this country. Peppiatt’s choice is inevitably Gallocentric, after all he has lived and worked for most of his life in Paris, but none the less valid for that.
His admitted bias towards figuration at the expense of abstraction is potentially far more worrying; perhaps this is why he is more moved by van Gogh than Cézanne. At one point, in an essay on Klimt, he suggests that artists attempted to conceal the fundamental postwar malaise, or deep uneasiness with life, by disposing of the human figure and going abstract. Clearly he feels this is some sort of betrayal of art, or art’s primary subject. He takes his lead from his mentor Francis Bacon, who dismissed all abstraction as mere decoration.
In his introduction, Peppiatt notes that this collections of reviews, catalogue prefaces and interviews is a kind of voyage of discovery (the critic doing his learning in public), moving, as he puts it, ‘from youthful dilettantism and journalistic necessity to deep commitment’. He muses that such an anthology may be ‘as close as one gets to a true autobiography, a compendium of one’s tastes and times.’ One of the most enjoyable aspects of the book is the new introduction he has written for each piece, a compact reflection on the history of the writing and Peppiatt’s feelings about the artist, mingled with more personal memories and anecdotes. I would pick out for special notice the compelling essay on Maillol, the story of the correspondence between Dubuffet and James Fitzsimmons, and the detailed investigation of the School of London. But Peppiatt is always worth reading and there isn’t a dud in this stimulating collection.“
‘The Valves of Sensation’
14th October 2020Adam Brown
Essay discussing Bacon’s process for the creation of the Francis Bacon’s Triptych Inspired by the ‘Oresteia’ of Aeschylus.
This essay is now available on the Sotheby’s website here.
Photographs at Michael’s Home in Southwest France
28th April 2020Adam Brown
Two recent photographs by Fred Lahache for a forthcoming article about Michael in Christie’s magazine.
On Francis Bacon and My Life in Art
28th October 2019Adam Brown
Michael discussed his friendship with Francis Bacon and his life in art, on 16 October at the Cambridge Centre for Visual Culture.
Paris Among the Artists
16th October 2019Adam Brown
From The Existential Englishman, Michael shared his experiences in conversation with writer and translator Miranda France, followed by Q&A, of a life spent amongst the artists. A life spent at its bohemian heart, rich with adventures, misadventures and the beauty of one of the most enduringly romantic cities in the world.
The event was a tremendous success. It was a partnership between The London Library and Bloomsbury Publishing, and took place on 15 October.
Bacon / Giacometti: A Dialogue
19th June 2019Adam Brown
An exclusive read-through of Michael’s new play took place at Christie’s on 18 June.
A video of the performance is available here.
Talks at the RA and American Library
22nd May 2019Adam Brown
The American Library in Paris invited Michael to talk about his recent book The Existential Englishman on 27 March.
Michael then joined Royal Academy Artistic Director Tim Marlow on Tues 21 May.
Two Talks at the Cercle Littéraire de Lausanne
1st February 2019Adam Brown
Michael gave talks on Francis Bacon and Alberto Giacometti at the ancient and very amiable Cercle Littéraire in Lausanne in January 2019.
‘Francis Bacon: An Intimate Portrait’
26th October 2018Adam Brown
Michael gave a revealing talk on Francis Bacon at the Condé Nast College of Fashion & Design in Soho, London, on 25 October 2018.
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- The Making of Modern Art
- ‘The Valves of Sensation’
- Photographs at Michael’s Home in Southwest France
- On Francis Bacon and My Life in Art
- Paris Among the Artists
- Bacon / Giacometti: A Dialogue
- Talks at the RA and American Library
- Two Talks at the Cercle Littéraire de Lausanne
- ‘Francis Bacon: An Intimate Portrait’
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- PEPPIATT ON BACON: A COMPLETE BIBLIOGRAPHY
- NEW INTERVIEWS
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- New DVD
- Recent Exhibition
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