Artists’ Lives

Summary

Engaging encounters, personal anecdotes and jargon-free critical insights into some of the liveliest creative minds in modern art, by an international art world insider.

Praised by the Art Newspaper as ‘the best art writer of his generation’, Michael Peppiatt has encountered many European modern artists over more than fifty years. This selection of some of his best biographical writing covers a wide spectrum of modern art, from Van Gogh and Pierre Bonnard, to personal conversations with painter Sonia Delaunay, artist Dora Maar, who was Picasso’s lover in the 1930s and 1940s, and Francis Bacon, perhaps the most famous of the many artists with whom Peppiatt has formed personal friendships.

Michael Peppiatt’s lively, engaging writing takes us into the company of many notable art-world personalities, such as the Catalan painter Antoni Tàpies, whom he visits in his studio, and moments of disillusion, such as his meeting with the self-mythologizing artist Balthus. Art criticism blends with anecdote: riding with Lucian Freud in his Bentley, drinking with Bacon in Soho, discussing Picasso’s trousers with David Hockney…

This collection of Peppiatt’s most perceptive texts includes under-recognized artists, such as Dachau survivor Zoran Music, or Montenegrin artist Dado, whose retrospective Peppiatt curated at the 2009 Venice Biennale. Remarkably varied in their scope and lucidly written for a general reader, these selected essays not only provide us with perceptive commentary and acute critical judgment, they also give a unique personal insight into some of the greatest creative minds of the modern era.

Availability

The book was released in April and is available from Thames & Hudson and Amazon UK.

Reviews

The Spectator, NY Journal of Books, Book Therapy

 

 


Giacometti in Paris: A Life

Summary

Today the work of Alberto Giacometti is world-famous and his sculptures sell for record-breaking prices. But from his early days as an unknown outsider to the end of a dramatic international career, Giacometti lived in the same hovel of a studio in Paris. It was Paris that made him, and he in turn immortalised the city through his art.

Arriving in Paris from the Swiss Alps in 1922, Giacometti was shaped not only by his relationships with remarkable artists and writers – from Picasso, Breton and Dalí to Sartre, Beauvoir and Beckett – but by the everyday life, pre-war and post-war, of Paris itself. His distinctive figures emerged from the city’s unique atmosphere: the crumbling grey stone of its humbler streets and the café-terraces buzzing with radical ideas and racy gossip.

In Giacometti in Paris, Michael Peppiatt, who spent thirty years documenting the Parisian art world and mixing with many of the people Giacometti knew, brilliantly charts the course of the artist’s life and work. From falling in and out with the Surrealists to years of artistic anguish, from devotion to his mother to intense friendships, tragic love affairs and a fraught marriage, this is an intimate portrait of an outstanding artist in exceptional times.

Availability

The book was released in April and is available from Bloomsbury and Amazon UK.

Reviews

‘Marvellous . . . intimate and insightful . . . reads like a novel by Samuel Beckett’, Paul Theroux

The Times, The Telegraph, The Literary Review, The Art Newspaper, The Financial Times, The Arts Desk, The Spectator and Country Life.


Francis Bacon: A Self-Portrait in Words

Summary

A new selection of letters, statements, and interviews reveals the preoccupations, thoughts, and ideas of Francis Bacon, one of the twentieth century’s most influential and important artists.

The documents selected for Francis Bacon: A Self-Portrait in Words illustrate Bacon’s sharp wit and ability to express complex ideas in highly personal, memorable language. Included here are not only letters to friends, patrons, and fellow artists, but also intriguing notes and lists of paintings. They often come with a sketch as an aide-mémoire or an injunction to himself as he worked in the studio, and many have only come to light since his death.

Bacon’s letters mirror and reveal his dominant preoccupations at different points throughout his long career. Most of Bacon’s letters have never been published and include several that he wrote to author Michael Peppiatt. Particularly intriguing is the record of a dream that he jotted down, outlining impossibly beautiful paintings he had conjured up in his sleep. Together with photographs, archive material, and works by the artist are numerous reproductions of Bacon’s characteristic handwriting, from the briefest jottings and notes to more extensive letters and statements.

Bacon frequently came up with memorable epithets and definitions. He delighted in doing with words what he set out to do in painting: “I like phrases that cut me.” Peppiatt explores the personal legacy of one of the twentieth century’s most important painters and presents a compelling verbal self-portrait that reveals both man and artist.

Availability

The book will be released in May 2024 and is available to preorder from Thames & Hudson and Amazon UK.

 

 


Only Too Much Is Enough: Francis Bacon In His Own Words

Summary

Francis Bacon’s conversation was by turns witty, provocative, and profound. In gathering together Bacon’s most memorable aphorisms, Michael Peppiatt—a friend of the artist and co-curator of the Royal Academy of Arts’ exhibition Francis Bacon: Man and Beast (19/1–17/4 2022)—evokes both the force of his personality and the range of his interests.

The sayings assembled for the first time in Only Too Much is Enough form a brilliant accompaniment to Bacon’s paintings, conveying as they do not only a sceptical and sometimes disquieting outlook on human relationships, but also keen insights into the creative process.

Availability

The book is available online from Eris Press and Amazon UK.


Francis Bacon: Man and Beast

Summary

Francis Bacon is considered one of the most important painters of the twentieth century. A major exhibition of his paintings at the Royal Academy of Arts, planned for 2020 but postponed because of the pandemic, explores the role of animals in his work – not least the human animal.

Having often painted dogs and horses, in 1969 Bacon first depicted bullfights. In this powerful series of works, the interaction between man and beast is dangerous and cruel, but also disturbingly intimate. Both are contorted in their anguished struggle, and the erotic lurks not far away: ‘Bullfighting is like boxing,’ Bacon once said. ‘A marvellous aperitif to sex.’ Twenty-two years later, a lone bull was to be the subject of his final painting.

In this fascinating publication – a significant addition to the literature on Bacon – expert authors discuss Bacon’s approach to animals and identify his varied sources of inspiration, which included wildlife photography and the motion studies of Eadweard Muybridge. They contend that, by considering animals in states of vulnerability, anger and unease, Bacon was able to lay bare the role of instinctual behaviour in the human condition.

Availability

The book is available online from Royal Academy of Arts and Amazon UK.


Interviews with Artists

Summary

A renowned curator and respected insider of the international art scene since the mid-1960s, Michael Peppiatt has spent his professional life with many of the greatest artists of the 20th century. His close friendships and frequent studio visits with Dubuffet, Sonia Delaunay, Francis Bacon, Henry Moore, Balthus, Oldenburg, Brassai and Cartier-Bresson, among many others, have produced an incredible archive of interviews, from formal question-and-answer sessions to off-the-cuff conversations.

These interviews combine to give a unique perspective on art from the Second World War to the present day. Peppiatt has selected forty-five of the most noteworthy and fascinating of his conversations with artists, from the world-famous to the under-recognized. The author approaches his subjects with a characteristic mix of passion, insight and humour in a book that is consistently entertaining and informative, as the artists open up in unexpected ways about their work and their lives.

Availability

The book is available online from Yale University Press and Amazon UK.

Reviews

“Many of the conversations published here have a spark and intimacy that allow unexpected insights into the lives and work of some of the 20th century’s greatest artists.”—Apollo (Off the Shelf)

“The art of the critic-interviewer is, like that of the psychoanalyst, to draw poignant attention to what it is that the interviewee cannot express. The limitations imposed on Peppiatt are those of language itself, and they serve him well, causing him to nudge each of his subjects to the point where words fail them, to where the picture, the sculpture, the building or the photograph becomes the only means of expression.”—Talitha Stevenson, The Observer

“This fine collection of interviews from almost five decades moves from the figurative painters of London – notably Bacon and Auerbach – to artistic Paris, including the photographers Brassai and Cartier-Bresson. Some interviewees are little known to the British public, some world-famous, but the focus is always on the individual, as a good interview ought to be.”—Martin Gayford, RA Magazine

“Peppiatt is a soft but probing interlocutor, and his enthusiasm for his subject gleams from every page.” Lucy Davies, Sunday Telegraph

“How much do we learn about an artist’s work by reading their own words? Does an interview simply illuminate the personality rather than the work itself? These questions are addressed by Michael Peppiatt in his introduction to this collection of 41 interviews. [Though he] reminds us to never trust what an artist says about their work… he has no wish to catch artists ‘off their guard’… Peppiatt’s list includes the painfully taciturn and the fiercely articulate.” Fisun Guner, Metro

“A fascinating collection…” John Banville, Irish Times

“The 40 interviews here are by turns chatty, revealing, formal, informal; all retain a vivid sense of a social encounter. Although this book is perfect for dipping into at leisure and at random, taken together, Peppiatt’s accounts provide a gripping overview of an epoch.” Jackie Wullschlager, Financial Times

“As a friend of many of those he interviewed, Peppiatt has been in a privileged position to gauge the trends of the last half century, and his passion for these artists, as much as for their art, is self-evident… The book has the feel of a collected biography, sufficiently steered by the masterful interviewer to give shape to the raw honesty it reveals… Simply conceived and, but pleasurable to pick up, interviews with Artists is a lot more than an aging critic’s memoirs.” Daisy Dunn, telegraph.co.uk


In Giacometti’s Studio

Summary

This deeply engaging book introduces the reader to the creative chaos of the tiny Parisian studio of the great sculptor Alberto Giacometti, from the moment he and his brother, Diego, arrived in 1927, with all their possessions in a wheelbarrow, until Alberto’s death in 1966.

Michael Peppiatt relates how the artist first worked there as a member of the Surrealist movement and then how he gradually made his mark on Paris’s artistic, literary, and intellectual worlds.

Availability

The book is available online from Yale University Press and Amazon UK.

Reviews

“A breezy, readable overview of Giacometti’s career…Peppiatt is a lively author who knows how to tell a good, pacy story, full of incident and fruitful speculation.” -Alastair Sooke, Daily Telegraph

“Peppiatt offers new insight into Giacometti, the man and his art.” -Dalya Alberge, The Observer

“Giacometti, his works and his studio, are documented in numerous beautiful photographs in this elegantly written book.” -Martin Gayford, Sunday Telegraph

“The book has a pleasingly personal feel to it.” -Michael Glover, Independent (Arts Books)

“The plentiful supply of superb photographs makes this book a visual joy: some are delivered as double-page spreads that immerse the reader in a vital mystery.” —Roger Cardinal, Burlington Magazine

“This book is packed with riveting material…..The most beguiling book on Giacometti I’ve read.” —Andrew Lambirth, Art Newspaper


Art Plural

Summary

Art is now a globalized phenomenon, with artists from all corners of the world showing their works on an international stage as never before. How do we begin to understand the ensuing multitude of different directions in contemporary art?

In Art Plural: Voices of Contemporary Art world-renowned art historian and writer Michael Peppiatt joins with Swiss gallerist Frédéric de Senarclens of Art Plural Gallery, as well as over 25 leading contemporary artists, to share their thoughts on this diverse art scene. While Peppiatt frames their work in a historical context, the artists themselves reflect deeply on their influences, styles, techniques and messages through personal interviews in this lavishly illustrated book.

Availability

The book is available online from Waterstones and Amazon UK.


The Making of Modern Art

 

Summary

Covering the whole spectrum of modern art—from pioneers such as Gustav Klimt and Chaim Soutine, to collectors and dealers who played a pivotal role in the modern art world, to artists such as Francis Bacon, Bill Jacklin, and Frank Auerbach.

Each text is accompanied by a new short introduction, written in Peppiatt’s signature vivid and jargon-free style, in which he contextualizes his writings and reflects on significant moments in a lifetime of artistic engagement.

Availability

The book is available online from Yale University Press and Amazon UK.

Reviews

“Peppiatt is always worth reading and there isn’t a dud in this stimulating collection.” – Andrew Lambirth, The London Magazine


The Existential Englishman

Summary

The Existential Englishman is both a memoir and an intimate portrait of Paris ­- a city that can enchant, exhilarate and exasperate in equal measure. As Michael remarks: ‘You reflect and become the city just as the city reflects and becomes you’. This, then, is one man’s not uncritical love letter to Paris.

Intensely personal, candid and entertaining, The Existential Englishman chronicles Michael’s relationship with Paris in a series of vignettes structured around the half-dozen addresses he called home as a plucky young art critic. Having survived the tumultuous riots of 1968, Michael traces his precarious progress from junior editor to magazine publisher, recalling encounters with a host of figures at the heart of Parisian artistic life – from Sartre, Beckett and Cartier-Bresson to Serge Gainsbourg and Catherine Deneuve. Michael also takes us into the secret places that fascinate him most in this ancient capital, where memories are etched into every magnificent palace and humble cobblestone.

On the historic streets of Paris, where all life is on show and every human drama played out, Michael is the wittiest and wickedest of observers, capturing the essence of the city and its glittering cultural achievements.

Availability

The Existential Englishman is available in the UK from BloomsburyAmazonDaunt, Hatchards, Waterstones, and all other good booksellers. The Paperback edition is available now from Bloomsbury and Amazon UK.

Reviews

“If you’re interested in art, or writing, or Paris, it will ring bells in your head. I loved it” – William Leith, Evening Standard

“Peppiatt’s account of his bohemian life in Paris is full of colour, character and charm … Peppiatt has an aesthete’s love of life, and there are vivid descriptions of food, drink and romance here that both enrapture and inspire. This enjoyable book works best as an account of a lifelong love affair with the Parisian streets … The Existential Englishman offers elegant proof that Michael Peppiatt’s powers of observation remain undimmed and acute” – Alexander Larman, Observer

“In many ways, it’s a wonderfully heartening success story” – Andrew Lambirth, The London Magazine

“A vivid memoir of Paris through the decades, this very personal account of the French capital brings its places and people alive” – The Connexion, Editor’s Choice

The Arts Desk, The Art Newspaper, The Australian Book Review, The Connexion, The GuardianThe ObserverLondon Evening Standard, The London Magazine, The Literary ReviewThe Daily TelegraphThe Sunday TelegraphThe Times, Times Literary SupplementThe Spectator, The Financial Times, The Oldie and Winged Words